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For Late Summer Iglesias task to continue with a concert organized in Piazza Asquer Gonnesa (Ca) for the Festa de l'Unità, following the gonnesini Misfire. Who knows, a complicit audience too cold (I mea culpa ...), thanks to a service Whether dazzling, confusing the sounds in those with light output for one thing, thanks to a lineup to say the least monolithic in the distribution of tracks on offer, the performance of our unfortunately does not remember as one of the best. But first things first. First, the place where the concert took place. Imagine a stage mounted on one side of the road, with traffic blocked, of course, and the public across the street. This is to make the idea of \u200b\u200bthe coolness of the people, the repeated calls were not enough of Mark (vocals, keyboards, bass and guitar on some tracks) to avvicniare people of the stage, and even that made the jump to get off in the street, only to leap and literally drag him to dance with him during the solo of "Freewill" by Rush. None of that. For the duration of the concert the group was found to interact with the few present near the stage and nothing more. Our start offering a cover of Bowie, "Changes", as always quite successful, that showcases from the outset as one of the points in favor of the music of Late Summer is the chorus of Marco Usai (guitar) and Gianluca Tocco ( low) as will be able to prove even in pieces that follow. Following a block of our pieces, "as has been described by Marco in the presentation. This choice, that is to propose the following six original songs, among other things not being properly easy listening and also quite technical and intricate if you will, no doubt has affected the group, already gone in reverse for the reasons listed above. However, the pieces are very beautiful, well played and very well arranged, the new instrumental Bossa Estate, while departing the now famous "fake prog educated" of us, fall into the mentality of 'intrippo "group .. and then, as Mark said, is a dance piece. Continuing the work of their things from messing up the audience, the TE now propose, again through the mouth of Mark, "a block of covers of Rush," prog rock giants of the '70s, a major source of inspiration for the group. Here you can see the first difficulty: the guys on stage have difficult to hear, because of the almost total absence of light boxes, and try to follow others only looks to get their hands or looking like, it's really hard! It continues with a little "theme", if we are committed to: "The smell of gunpowder" Battiato, the text speaks of the war that followed the creation of the pipeline in Baku, which ended in 2005 (which did has not been given any importance by the Italian media ...). To close the relaxing "Galapagos" Smashing Pumpkins and the enthralling "Walk This Way" by Aerosmith, perhaps the only piece that can a bit 'to drag the audience, at the end of the concert is a bit' music certainly taken aback by the proposal NOT mainstream of late summer. In conclusion, a fair agreement, and certainly not negative, but certainly those who follow the group has seen better. Of note: in addition to technical improvements of all components of the group, a constant will to renew and rearrange the pieces constantly, so it may have some difficulty, after just one concert, to recognize a piece written by them. Blava!


LADDER COMPLETE :

David Bowie - Changes

Late Summer - Late Summer
Giglio - In a Breath
Late Summer - Late Summer
disgusting people - Cannibalism
Until Late Summer - Late Summer in Indigo
Late Summer - Summer Bossa

Rush - Show Do not Tell
Rush - Free Will
Rush - Natural Science

Franco Battiato - The smell of gunpowder
Smashing Pumpkins - Galapogos
Aerosmith - Walk This Way


Review by Enrico Meloni